{"id":3462,"date":"2018-02-02T14:02:42","date_gmt":"2018-02-02T13:02:42","guid":{"rendered":"https:\/\/1b62e47f77.nxcli.net\/?p=3462"},"modified":"2022-03-03T11:52:37","modified_gmt":"2022-03-03T10:52:37","slug":"did-you-know-2-19th-century","status":"publish","type":"post","link":"https:\/\/www.heavym.net\/pt\/did-you-know-2-19th-century\/","title":{"rendered":"Tecnologia de proje\u00e7\u00e3o de mapas: Sabia que? #2 - S\u00e9culo XIX"},"content":{"rendered":"
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Sabia que ? #2 - S\u00e9culo XIX<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Origens II, s\u00e9culo XIX\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sabia que? \u00e9 uma coluna inovadora composta por muitas hist\u00f3rias diferentes, para partilhar conhecimentos sobre todas as influ\u00eancias do mapeamento de v\u00eddeo!<\/strong><\/p>

Para este segundo artigo, o HeavyM seleccionou para si inven\u00e7\u00f5es e conceitos originais de pioneiros que deram os primeiros passos, procurando uma comunh\u00e3o entre a luz e o som. Regressamos ao s\u00e9culo XIX, onde o nascimento do g\u00e1s e da eletricidade permitiu a constru\u00e7\u00e3o de novas m\u00e1quinas para traduzir o som por imagens. Este per\u00edodo \u00e9 tamb\u00e9m o in\u00edcio da ilumina\u00e7\u00e3o c\u00e9nica. Um contexto de emula\u00e7\u00e3o e experimenta\u00e7\u00e3o, prop\u00edcio ao desenvolvimento de uma arte musical de cores.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1816 >> Primeiro caleidosc\u00f3pio<\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Feito por Sir David Brewster<\/span><\/strong><\/p>

Durante as suas pesquisas sobre a polariza\u00e7\u00e3o da luz, aproxima a composi\u00e7\u00e3o luminosa da composi\u00e7\u00e3o musical, com o objetivo de criar \"um novo instrumento musical visual para o povo, para oferecer um divertimento racional\", Tratado do Caleidosc\u00f3pio, 1819. O objeto tornou-se rapidamente muito popular e foi vendido em toda a Europa! N\u00e3o admira que este s\u00edmbolo de mudan\u00e7a, beleza e sonho se tenha tornado um padr\u00e3o ic\u00f3nico para o mapeamento de v\u00eddeo.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Caleidosc\u00f3pio, David Brewster, Museu Nacional da Esc\u00f3cia, \u00a9 Dawn Correia, 2011<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ilustra\u00e7\u00e3o de uma caixa de charutos com o retrato de David Brewster, 1900<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1835 >> Cromatografia<\/strong><\/span><\/h3>

Escrito por George Field<\/span><\/strong><\/p>

Um Tratado sobre as cores que teoriza um novo sistema de refer\u00eancias na harmonia das cores e dos sons. G. Field est\u00e1 convencido de que a universalidade e a pureza das cores podem ser plenamente reveladas gra\u00e7as a uma correspond\u00eancia precisa com as escalas diat\u00f3nicas. Ele elabora um sistema meticuloso e completo onde as tr\u00eas cores prim\u00e1rias (amarelo, azul, vermelho) s\u00e3o combinadas com um c\u00edrculo crom\u00e1tico, para entrar em analogia com as harmonias musicais.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Desenho, George Field, Cromatics, 1817<\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Desenho, George Field, Cromatics, 1817<\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1876 >> Primeira obra de arte total<\/strong><\/span><\/h3>

Encena\u00e7\u00e3o de Richard Wagner para o Pal\u00e1cio do Festival em Bayreuth, Alemanha<\/span><\/strong><\/p>

Revitalizou o contexto do anfiteatro grego para colocar os espectadores no escuro, rode\u00e1-los de reverbera\u00e7\u00e3o sonora e jogar com as luzes. O objetivo: concentrar o olhar e a aten\u00e7\u00e3o na cena. Atrav\u00e9s da interven\u00e7\u00e3o simult\u00e2nea de v\u00e1rios meios e disciplinas art\u00edsticas, este evento pode ser visto como o antepassado da realidade virtual e imersiva.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Desenho, Dicion\u00e1rio de Tecnologia, Otto Lueger, 1904<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Gravura, Revue Wagn\u00e9rienne, vol. V, 8 de junho de 1885, <\/em><\/span>
\u00a9 Edouard Schur\u00e9<\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1891 >> A bobina de Tesla<\/strong><\/span><\/h3>

Constru\u00eddo por Nikola Tesla<\/span><\/strong><\/p>

Um transformador de alta tens\u00e3o, gerador de arcos el\u00e9ctricos na atmosfera. Para al\u00e9m da brilhante abordagem experimental de Nikola Tesla, a sua descoberta \u00e9 hoje muito bem sucedida e utilizada para os efeitos especiais das artes do espet\u00e1culo e do entretenimento. Uma men\u00e7\u00e3o especial para a m\u00fasica, porque as varia\u00e7\u00f5es de frequ\u00eancia oferecem uma verdadeira ferramenta de an\u00e1lise sonora!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Bobina de Tesla, Palais de la D\u00e9couverte, Paris, 2012 <\/em><\/span>\u00a9Myrabella<\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Nikola Tesla na sua Esta\u00e7\u00e3o Experimental de Colorado Springs, 1899, \u00a9Dickenson V. Alley<\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1891 >> A l\u00e2mpada de arco cantante<\/strong><\/span><\/h3>

Concebido por William Duddell<\/span><\/strong><\/p>

Uma l\u00e2mpada de arco el\u00e9trico e um altifalante: o arco produz sons modulados e feixes de luz. A primeira l\u00e2mpada capaz de produzir notas musicais atrav\u00e9s de um teclado, sem utilizar o amplificador. Presume-se que os engenheiros el\u00e9ctricos criaram m\u00fasica para esta rede de ilumina\u00e7\u00e3o.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Wendelin Weissheimer a tocar pirofone arquivo privado Weingut Steinmuhle, \u00a9 Thomas Goller<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1893 >> A Harmonia da Luz<\/strong><\/span><\/h3>

Escrito por Bainbridge Bishop<\/span><\/strong><\/p>

Este livro apresenta o primeiro \u00f3rg\u00e3o crom\u00e1tico fabricado com uma l\u00e2mpada de arco e vidros fumados, ligados a alavancas. Bishop queria pintar a m\u00fasica num ecr\u00e3 hemisf\u00e9rico com um teclado luminoso. O t\u00edtulo completo do livro, A Memory of the Color Organ, com algumas sugest\u00f5es sobre a alma do arco-\u00edris e a harmonia da luz, sugere toda a poesia, originalidade e at\u00e9 misticismo deste amante da m\u00fasica pict\u00f3rica.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00d3rg\u00e3o de cores de Alexander Wallace Rimington, \u00a9 Dataisnature<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Exterior do Colour Organ de Alexander Wallace Rimington, The Art of mobile colour, 1912 \u00a9 Maura McDonnell<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1898 >> As chamas manom\u00e9tricas<\/strong><\/span><\/h3>

Constru\u00eddo por Rudolph Koenig<\/span><\/strong><\/p>

Instrumento composto por globos de lat\u00e3o e ressonadores associados a uma c\u00e1psula de press\u00e3o. A cintila\u00e7\u00e3o das chamas permitia ver as varia\u00e7\u00f5es ac\u00fasticas! Um sistema inteligente de espelhos girat\u00f3rios, como um estrobosc\u00f3pio, facilitava a observa\u00e7\u00e3o. O objetivo: analisar sons complexos em frequ\u00eancia, tornando o fen\u00f3meno vis\u00edvel.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Estas inven\u00e7\u00f5es continuam a fascinar os investigadores contempor\u00e2neos, como Nigel John Stanford<\/a>, que ilustra com meios actuais as Figuras de Chladni de que temos vindo a falar Origens I<\/a>A bobina de Tesla e os \u00f3rg\u00e3os das cores.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Para continuar, 1930-1950<\/strong><\/p>

- S\u00e9verine para a equipa HeavyM<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Pronto para come\u00e7ar a fazer mapeamento de v\u00eddeo gratuitamente?<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tObter um ensaio pesado<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Did You Know ? #2 \u2013 19th Century Origins II, 19th century Did you know? is an out of the box column made of many different stories, to share knowledge around all the influences of video mapping! For this second article, HeavyM selected for you original inventions and concepts of pioneers who took the first […]<\/p>\n","protected":false},"author":2,"featured_media":3981,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-3462","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inspiration"],"yoast_head":"\nProjection mapping technology: Did you know? #2 - HeavyM Blog<\/title>\n<meta name=\"description\" content=\"Dive into mapping history and uncover how projection mapping technology made huge progress in the 19th century!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.heavym.net\/pt\/did-you-know-2-19th-century\/\" \/>\n<meta property=\"og:locale\" content=\"pt_PT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Projection mapping technology: Did you know? 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