{"id":3426,"date":"2018-02-03T03:53:11","date_gmt":"2018-02-03T02:53:11","guid":{"rendered":"https:\/\/1b62e47f77.nxcli.net\/?p=3426"},"modified":"2022-03-03T11:43:19","modified_gmt":"2022-03-03T10:43:19","slug":"did-you-know-3-1900-1930","status":"publish","type":"post","link":"https:\/\/www.heavym.net\/fr\/did-you-know-3-1900-1930\/","title":{"rendered":"Le Saviez-Vous? #3 \u2013 1900\/1930 - Histoire du vid\u00e9o mapping"},"content":{"rendered":"
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Le Saviez-Vous? #3 \u2013 1900\/1930<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Origins III, 1900 \u2013 1930<\/strong><\/span><\/h2>

\u00a0<\/p>

Cette rubrique est un espace d\u2019inspiration, autour du vid\u00e9o mapping et de toutes ses influences ! Pour ce troisi\u00e8me article, HeavyM a s\u00e9lectionn\u00e9 pour vous des inventions originales et des concepts de pionniers, \u00e0 la recherche d\u2019une communion entre la lumi\u00e8re et le son. Au d\u00e9but du 20e si\u00e8cle (1900 \u2013 1930), les progr\u00e8s techniques commencent \u00e0 investir le quotidien : les instruments de musique des couleurs sont plus performants, ils se jouent sur sc\u00e8ne \u00e0 l\u2019occasion de spectacles et puisent leur esth\u00e9tique dans l\u2019art de l\u2019\u00e9poque : le futurisme, l\u2019art abstrait et les premi\u00e8res manifestations de l\u2019art cin\u00e9tique.<\/strong><\/p>

\u00a0<\/p>

1915 > Luce<\/span><\/strong><\/h3>

Ecrit et construit par le compositeur russe Alexandre Scriabine<\/strong><\/p>

La seule performance de ce clavier \u00e0 lumi\u00e8res a \u00e9t\u00e9 le concert Prom\u00e9th\u00e9e ou le po\u00e8me du feu au Canergie Hall New York. Jamais une partition n\u2019avait \u00e9t\u00e9 jou\u00e9e comme Luce : les gammes produisent en temps r\u00e9el des notes de musique et des projections color\u00e9es. Scriabine a construit un syst\u00e8me d\u2019analogie notes \/ couleurs tr\u00e8s pr\u00e9cis. C\u2019est l\u2019un des premiers spectacles \u00e0 associer orchestre, piano, orgue et clavier \u00e0 lumi\u00e8res : une symphonie de couleurs, pour transporter l\u2019audience\u2026 Ailleurs !<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Association touches \u2013 couleurs \u00a9 Wikipedia<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Partition Prom\u00e9th\u00e9e ou le po\u00e8me du feu, Scriabine \u00a9 Jean-Christophe Roelens, Lendroit \u00e9ditions<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Performance Prom\u00e9th\u00e9e ou le Po\u00e8me du feu, 1997 \u00a9 Olivier Lussac, artperformance.org<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Performance Prom\u00e9th\u00e9e ou le Po\u00e8me du feu, 1997 \u00a9 Olivier Lussac, artperformance.org<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1915 > Le Piano Audion<\/strong><\/span><\/h3>

Invent\u00e9 par l\u2019ing\u00e9nieur am\u00e9ricain Lee de Forest<\/span><\/p>

Cet inventeur s\u2019est surnomm\u00e9 lui-m\u00eame \u00ab le P\u00e8re de la radio \u00bb et a d\u00e9pos\u00e9 plus de 300 brevets ! Pour la premi\u00e8re fois, un clavier simple, manuel, combine des lampes triode et des audions, sorte de tubes \u00e0 vide qui seront les premiers composants de l\u2019amplificateur \u00e9lectronique. Le progr\u00e8s du piano audion : sa capacit\u00e9 \u00e0 produire des sons complexes ressemblant \u00e0 ceux du violon, du violoncelle et des instruments \u00e0 bois. Il est l\u2019un des p\u00e8res du son optique, avec le phonofilm en 1919, proc\u00e9d\u00e9 qui sera achet\u00e9 par la Fox pour Warner Bros qui r\u00e9alisera ainsi les premiers films chantants.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Les ampoules Audion, producteurs de sons musicaux purs, L\u2019Exp\u00e9rimentateur Electrique, d\u00e9cembre 1915 \u00a9 120years.net<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Lee de Forest \u00a9 Encyclop\u00e6dia Britannica, Inc.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1918 > Le Sarabet<\/strong><\/span><\/h3>

Fabriqu\u00e9 par la pianiste am\u00e9ricano-syrienne Mary Hallock-Greenewalt<\/strong><\/p>

Contrairement \u00e0 beaucoup d\u2019inventeurs, Mary n\u2019a pas \u00e9tabli de correspondances strictes entre les sons et les couleurs car elle a int\u00e9gr\u00e9 la possibilit\u00e9 d\u2019une synchronisation al\u00e9atoire, variable en fonction de la personnalit\u00e9 et de la comp\u00e9tence du musicien. Elle a d\u00e9pos\u00e9 9 brevets pour cr\u00e9er cet automate, dont le rh\u00e9ostat, premier modulateur de l\u2019intensit\u00e9 du courant ! Elle appelle son art Nourathar, (Lumi\u00e8re Essence en arabe), The Fine Art of Light-Color Playing ( les Beaux-Arts de la lumi\u00e8re color\u00e9e).<\/p>

\"Greenewalt<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mary Hallock Greenewalt avec le Sarabet \u00a9 Red Bull Music Academy Daily<\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1922 > L\u2019Optophone<\/strong><\/span><\/h3>

Imagin\u00e9 par l\u2019\u00e9crivain, photographe et plasticien viennois Raoul Hausmann<\/p>

Ce dada\u00efste a dessin\u00e9 une machine sensorielle constitu\u00e9e d\u2019une cellule photo-\u00e9lectrique capable de transformer les sons en lumi\u00e8res color\u00e9es et inversement. Un brevet a \u00e9t\u00e9 d\u00e9pos\u00e9 mais l\u2019instrument n\u2019a jamais \u00e9t\u00e9 achev\u00e9. En 2004, l\u2019artiste Peter Keene, passionn\u00e9 par l\u2019histoire des technologies et des sciences, a men\u00e9 de nombreuses recherches pour reproduire l\u2019optophone de Raoul Hausmann.<\/p>

\"Optophone\"<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Raoul Haussmann revisit\u00e9 par Peter Keene, 2004 \u00a9 Peter Keene<\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1924 > Le Piano optophonique<\/strong><\/span><\/h3>

Pr\u00e9sent\u00e9 par le peintre futuriste russe Vladimir Baranoff-Rossin\u00e9<\/strong><\/p>

Cet instrument a \u00e9t\u00e9 jou\u00e9 pour la premi\u00e8re fois lors d\u2019un \u00ab concert color\u00e9 opto-visuel \u00bb au th\u00e9\u00e2tre Meyerhold de Moscou. L\u2019ext\u00e9rieur ressemble \u00e0 un piano classique, mais cache un m\u00e9canisme totalement nouveau : des disques transparents peints par l\u2019artiste, des prismes, des lentilles, des miroirs diffusent des images mouvantes au rythme de la musique \u00e9mise par le clavier.<\/p>

Il cherche \u00e0 \u00ab donner libre cours et d\u2019une mani\u00e8re encore jamais vue \u00e0 la dynamique de la lumi\u00e8re en couleur, chose \u00e0 laquelle nous ne faisions que r\u00eaver. Voil\u00e0 o\u00f9 se trouve la r\u00e9alit\u00e9. Un immense champ d\u2019action pour la cr\u00e9ation picturale. En une seconde, des milliards de tableaux, un kal\u00e9idoscope universel de la volont\u00e9. La musique certainement est un compromis avec le public. Le vrai but \u2013 la fin en soi \u2013 est une peinture vivante dans le temps et non pas sourde-muette \u00bb. Lettre de Baranoff-Rossin\u00e9 aux Delaunay du 19 d\u00e9cembre 1924.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Piano Optophonique, reconstitution par Jean Schifrine, 1971 \u00a9 Philippe Migeat \u2013 Centre Pompidou, MNAM-CCI \/Dist. RMN-GP<\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Disques en verre peints du Piano Optophonique \u00a9 Indexgraphik.fr<\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1925 > Le Sonchromatoscope<\/strong><\/span><\/h3>

R\u00e9alis\u00e9 par le pianiste et compositeur hongrois Alexander Laszlo<\/p>

Cet orgue de couleurs est dot\u00e9 d\u2019une console de mixage, d\u2019un projecteur de diapositives, de spots et de filtres de couleurs changeants pour intensifier ou diminuer la lumi\u00e8re. Les diff\u00e9rentes diapositives permettent de projeter des couleurs en mouvement mais aussi de faire appara\u00eetre des formes ! Cette invention a permis \u00e0 Laszlo de produire Color-Light-Music , un spectacle musicalo-visuel extravagant, en tourn\u00e9e dans toute l\u2019Allemagne de 1925 \u00e0 1926. Il souhaitait partager avec les spectateurs les associations de couleurs qu\u2019il percevait quand il jouait au piano.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Matthias Holl, Couleur \u2013 Lumi\u00e8re \u2013 Musique par Alexander Laszlo, 1925 \u00a9 handmadecinema.com<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Sonchromatoscope, Alexander Lazslo \u00a9 Marco de Bias<\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1926 > Clavilux \u00ab La lumi\u00e8re jou\u00e9e par un clavier \u00bb<\/strong><\/span><\/h3>

Construit par le musicien danois Thomas Wilfred<\/strong><\/p>

Clavilux est une machine \u00e9lectrique compos\u00e9e de 4 casiers en m\u00e9tal qui abritent des syst\u00e8mes rotatifs et des petites sculptures en fer et verre. Le clavier int\u00e9gr\u00e9 permet de projeter et de r\u00e9fl\u00e9chir la lumi\u00e8re, filtr\u00e9e, mouvante gr\u00e2ce au jeu des roues et des sculptures. Gr\u00e2ce \u00e0 cette nouvelle machine, Wilfred a produit Lumia , des performances lumineuses abstraites que les spectateurs comparaient \u00e0 des aurores bor\u00e9ales. Il est consid\u00e9r\u00e9 comme le pionnier du light art et a influenc\u00e9 de nombreux artistes modernes et contemporains.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Les compostions Lumia de Thomas Wilfred\u2019s Opus 140. \u00a9 2014 Clavilux.org<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Thomas Wilfred en concert avec son Clavilux, 1922 \u00a9 quidsitlumen.net<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1928 > Le Spectrophone<\/strong><\/span><\/h3>

Con\u00e7u par le sculpteur tch\u00e8que Zden\u011bk Pe\u0161\u00e1nek <\/span><\/strong><\/p>

nt\u00e9ress\u00e9 par l\u2019art cin\u00e9tique, il demande au leader du piano Petrof de r\u00e9aliser un clavier, et ajoute une sculpture de projection munie d\u2019un syst\u00e8me de contr\u00f4le des formes. Chaque touche du clavier peut allumer l\u2019une des trois couleurs programm\u00e9es (rouge, vert et bleu) pour cr\u00e9er une danse de ronds et de points color\u00e9s. En 1929, il construit la sculpture cin\u00e9tique Edisonka pour la centrale \u00e9lectrique de Prague, consid\u00e9r\u00e9e comme la version automatis\u00e9e du spectrophone. Compos\u00e9e de 420 ampoules, la sculpture diffuse tous les soirs des spectacles cin\u00e9tiques lumineux pr\u00e9-programm\u00e9s.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Les compostions Lumia de Thomas Wilfred\u2019s Opus 140. \u00a9 2014 Clavilux.org<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A suivre, Origines IV, 1930-1950\u2019s<\/strong><\/p>

\u2013 S\u00e9verine pour HeavyM Team<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Did You Know? #3 \u2013 1900\/1930 Origins III, 1900 \u2013 1930 Did you know? is an out of the box column with different surprising stories, to share knowledge around all the influences of video mapping! For this second article, HeavyM selected for you original inventions and concepts of pioneers who took the first steps, looking […]<\/p>\n","protected":false},"author":2,"featured_media":3978,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-3426","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inspiration"],"yoast_head":"\nProjection mapping history: Did you know? #3 - 1900\/1930 - HeavyM Blog<\/title>\n<meta name=\"description\" content=\"Dive into projection mapping history and uncover its ties and roots with East European countries and inventors.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.heavym.net\/fr\/did-you-know-3-1900-1930\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Projection mapping history: Did you know? 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